“That’s a slow roller, Christine,” Leiby said.
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On “The title of a cookbook written by a cowboy,” Nangle might have triumphed had anyone gotten her punch line, “ I Wish I Knew How to Quick Stew,” before the timer was up. Given the crowd, a certain amount of comedy analysis was inevitable. “I love the comedy element of this,” Leiby deadpanned. (“Bad news to people you love and family” beat “Himself to your mom.”) Finally, in the second game of the night, a question about the hardest decision a president had to make resulted in two separate punch lines about mass death from government neglect.
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Then, one about the worst thing for a truck driver to have to deliver. First, a prompt about buying paper towels. Though the game may have been intended as a distraction from the coronavirus, through either chance or some infernal algorithm, the crisis kept muscling its way in. “I fucked up and my phone freaked out and it’s all just random letters,” explained Mrs. On “The weirdest thing to whisper to a ceramic doll,” one of the answers was a bizarre, misspelled sentence fragment. Amato earned a Quiplash for a gag about balloon boy Falcon Heene.
This was followed by a more esoteric reference, as producer J.D. “,” a nod to the process of negotiating which parts of the game would be on the record, earned the night’s first Quiplash. The festivities started with a pun, as Robot Chicken’s Andrew Ti nearly got a Quiplash with his answer for “The title of a drama clearly gunning to win an Oscar” - “ Paraswhite.” Like Nangle said, it didn’t take long for things to get meta.
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Last week, I sat in with Nangle’s Zoom session, which was filled with a diverse group of TV writers, stand-ups, and other assorted funny people. “It’s going quickly through A-to-G, then deciding if you should circle back to B if you think other people are going to be at G.” For comedians starved for human connection, the experience is the closest thing they have to an improv show - play long enough, Nangle said, and sub-games and callbacks will emerge, Quiplash twisting in on itself. “Most of the time you need to be thinking not A-to-B, or even A-to-C,” she explained. As Nangle told Vulture over email, the game’s popularity stems from the way it exercises the brain’s comedy nodes. One vector for the industry’s Quiplash obsession is Simpsons writer Christine Nangle, who has been hosting sessions for a small circle of comedy nerds. According to Jackbox, the game’s developer, normal weekend usage is currently on par with the numbers for pre-corona holidays like Thanksgiving or New Year’s Eve. (A unanimous vote is called a Quiplash.) The game is ideally suited to the age of Zoom since all the action takes place on everyone’s phones, little is lost from not being in the same room, or even the same state. Two punch lines are pitted against each other, with everyone else voting, and points are determined by the percentage of votes each receives. Quiplash is an answer-prompt game, similar to Apples 2 Apples or Cards Against Humanity, except that instead of choosing a response from a handful of pre-written options, competitors come up with their own. In the surest sign that the trend is real, people have even started referencing Quiplash while making fun of Joe Biden. Actress Katy Stoll solicited games that were like Quiplash but were not Quiplash, since “one can’t Quiplash every day.” Las Culturistas’ Matt Rogers announced his desire to be a writer for the game. “I will play Quiplash with anyone! It’s my new favorite game,” late-night writer Sean O’Connor tweeted last week.
And if you’re a funny person in Hollywood, you’re probably playing the five-year-old mobile party game Quiplash. If you’re on Facebook, you’re probably asking a lot of questions about 5G. If you’re on Instagram, you’re probably baking an Alison Roman recipe. The age of social distancing has given us many hours to fill, and many options for how to fill them. Inside a game of Quiplash with comedy writers.
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